Two
days have passed and the painting is dry. I have no idea
where to start up, so I do what I always do. I begin with
a task that could inflict the least possible damage. I
use my painting knife to scrape off any lints and any bumps
on the painting surface.

I'm using
two Silver Brush 1003 Filberts, three very inexpensive Loew-Cornell artificial filberts that I buy in a craft
store, a Daniel Smith #4 sable, and an old worn out D. Smith #4 as a blender.
I start
on the white drapery, but soon switch to the center of interest,
the female back. I put some paint on the turban and
pretty soon I'm warmed up. I stop thinking and begin
to paint by instinct.
I use
a limited palette of colors. I work carefully and patiently
and am proud of it, since by nature I'm neither careful nor
patient. To show rebellion against my mid-twentieth
century art training, I use the old sable as a blender.
Remember
kiddies, using a blender is bad! |