Figure and Portrait Drawing & Painting Lessons
A
painting demonstration in oil on a 12 x 9" canvas
2001
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This
is the state of the painting at the
end of the first session. With neither face nor hands to slow
me down, I was able to bring it along quickly. The neck and back remind me of Ingres
and I’m motivated to try and make the work look finished
at every stage.
I’m
using both pointed sables and filbert bristle brushes. I blend with an old worn sable.
I’m
painting this on a 12x9” linen canvas stained a grey color
made of ultramarine blue and raw umber that is thinned
with a mixture of 90% turpentine and 10% Graham
Walnut/Alkyd painting medium. I rubbed the wet painted surface
down with a rag to achieve the tone I wanted.
My
favorite brown is Gamblin’s asphaltum and
I used it for the darks. The lights were made of Old
Holland Cremnitz white mixed with just a dab of
raw sienna. I mixed just a little walnut/alkyd
medium into the paint to make it a little more supple
and sensitive and to help it dry faster.
I’ll
put it aside and let it dry and take it up again day after
tomorrow and start in with color. |
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Two
days have passed and the painting is dry. I have no idea
where to start up, so I do what I always do. I begin with
a task that could inflict the least possible damage. I
use my painting knife to scrape off any lints and any bumps
on the painting surface.

I'm using
two Silver Brush 1003 Filberts, three very inexpensive Loew-Cornell artificial filberts that I buy in a craft
store, a Daniel Smith #4 sable, and an old worn out D. Smith #4 as a blender.
I start
on the white drapery, but soon switch to the center of interest,
the female back. I put some paint on the turban and
pretty soon I'm warmed up. I stop thinking and begin
to paint by instinct.
I use
a limited palette of colors. I work carefully and patiently
and am proud of it, since by nature I'm neither careful nor
patient. To show rebellion against my mid-twentieth
century art training, I use the old sable as a blender.
Remember
kiddies, using a blender is bad! |
By William Whitaker
Visit William's Site: http://www.williamwhitaker.com/
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