Woodworking

Woodworking Articles & Tips

Pine Renaissance Carved Cabinet

By Alastair Mitchell

 
Fig 0552

 

 

 

 

Fig 0531

 

 

 

 

Fig 0545

 

 

Fig 0521





Fig 0532





Fig 0533







Fig 0536







Fig 0539
 
 

THE BOTTOM SECTION.

Overview

First there is the base plinth onto and into which sits the bottom carcass construction. The carcass consists of two side panels connected by rails, floor boards and back lining sheets subsequently fitted, the two doors were then made up and hung and finally a one piece top attached. Note in fig. 0552 the right angle section glued into the leading door edge that acts as a dust guard when the doors are closed.

THE BOTTOM HALF!

See fig. 0531 for front elevation view.

Four sections of 5 x 31/2" were cut to length for the upright 'posts' and four short sections to complete the horizontal framing. Two No. 20 biscuits were cut for each jointing section, then on the bench saw cut 12mm panel rebate slots (to accept the flat side panels) on all four pieces. Then I marked out the deep cut away pattern, which dominates the cabinet from the front view, and because I do not have a bandsaw I used the Industrial Carbide Woodcarver to shape down to the line and cleaned up with a grinder-sanding pad. (I could have used the Woodcarver™ instead)

Next, again using the IND200, I mimicked the effect of a carved finish to texture these upright 'posts', (see fig. 0545) Just glance lightly off the surface with sharp cutters for a clean finish.

So now I have eight heavy sections of carcass timber all shaped, biscuit cut, panel rebated, sanded and ready to glue together.

Next I glued up the two large plain panels to fit inside these two side frames and trimmed to size. Now I glued these two frames together with the panels inside! These are also well shown in fig. 0545.

I always double coat both surfaces when using P.V.A. (or yellow aliphatic) glue. I also wet up and sash clamp as quickly as possible because pine absorbs the water from the glue much faster than hardwoods. If too much water is absorbed BEFORE the sash clamps are tightened then a weaker joint will result. This is because the glue hardens as the water is absorbed, the longer you leave then the more the glue has set BEFORE you tighten the clamps - this is no good!

Be well prepared when you glue anything! Have all the timbers laid out in order of glue wetting, have the biscuits counted out, clean up cloths to hand (damp if working with P.V.A's) set square ready to check for square and I turn the radio out so I can concentrate! Allow plenty of space so I often glue up on the flat concrete floor with plastic sheets spread to catch glue squeeze out.

The correct amount of glue is when you tighten the clamps a thin continuous line of glue should squeeze out between the joints, wipe this off.

The next step is now to connect the two side panels with four rails. These again I only butted and used double No: 20 biscuits as joints. Before I glued them in place, cut a suitable rebate to snugly receive the back lining boards and floorboards. These kinds of rebates I simply bench saw out setting the fence for the desired distance from the blade and setting the bench saw blade at the correct depth (mine is an adjustable depth cut).

On a level and true surface (concrete floor!) I now glued and sash clamped the two end panels together with the four rails. Use your square to check for square! This is now very important.

This is the carcass construction now complete (carcass means main frame construction into which panels, doors, draws etc are then fitted) Next I made the base or plinth to stand this carcass onto (and into). I measured the outside dimensions of the base carcass to get the correct measurements for the base.


THE BASE

Taking 8" x 2" and cut to exact length to allow for butt joints and marked the curved bracket foot profile on the two short sides and front piece (see again photo 0521), having no jig or bandsaw, I cut to the line with the Woodcarver™, sanded with the grinder sanding pad (here after referred to as "sanding pad"), routered a concave pattern to the front edge with a roller bit. Cut a rebate on the bench saw to house the bottom half of the cabinet on the top internal edge of the four base pieces. (See again fig. 0521)

Used double No 20 biscuits to join the four sections. Clamp to a flat surface to ensure no buckle, used sash clamps checking for the vital square necessary.

When dried, glued four 4" x 4" blocks in each internal corner to strengthen the structure and take the weight off the bracket frame.

Glued and pinned a cross brace running from front to back, this is concealed at the front by the dip in the curving pattern.

If this was not enough I then pocket screwed and glued four corner cross braces. Non of this work will ever be seen!


Floor Boards and Back Lining Boards

Next I thicknessed the floor boards to 15mm and bench sawed a simple lap joint so the boards would close without gaps and pined and punched the boards into their rebate. I repeated this for the back lining boards but thicknessed them down to 12mm and pinned them in place working from the back of the cabinet

BOTTOM DRAWS

I always build any draw recess first, take the measurements and then build the draws! Fig. 0532 shows how I created the draw receiver framework. In truth this was a little awkward as I built this into the existing space, better pre-planning would have allowed for a more thought out solution. The draws were an after thought! See also the closer detail of the draw slides in fig. 0533.

Note that on top of the drawer box I installed more planking on which sits the loose wine racks as shown in fig. 0532 also fig. 0536 is looking immediately into this recess above the left hand draw set.

Next I constructed the four drawers. Fig. 0539 shows one of the four drawers.

From an aesthetic point of view I should have cut dovetails (everyone loves dovetails) but I defend the use of a lap joint to attach the draw fronts to the sides because the glue area is large and freshly cut pine makes a very strong glue joint. In addition, these draws are well-supported on wide and waxed draw slides (candle wax) and in addition they will only ever hold table linen which is lightweight.

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Reprinted with permission from http://www.arbortech.com.au